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Name: Mikaela Shiraki
Age: 23
Current Profession: Bookstore Manager
Desired Profession: Artistic Director of a fabulous and very successful theatre
City/State of Residence: Buena Vista, VA


Mikaela's Question: I recently finished my undergraduate studies in theatre with an emphasis on acting and directing. While selecting and applying for grad school, should I accept any job remotely related to theatre, or should I only accept jobs directly related to directing?
 
About Deborah Wolfson: Deborah Wolfson is a director and choreographer in New York City. Some of her directing credits include: Drums in the Night, The Jigsaw Confession, The Contractors, and Bum’s Rush, A Play for Barry White, and The Second Constant. She has choreographed The Dead Body Takes Her Revenge for Bee Sting’s Psst... There’s a Dead Body in the Room. Some of her favorite projects have been: Williamsburg! The Musical, Drums in the Night, and Jersey Boys. Deborah graduated from the University of Chicago.
Deborah's Answer: The short answer? Take everything. Take absolutely every job in theatre, and once you have it—be it running a board, running a box office, or sweeping the stage—work hard and be friendly, even if you're get paid for your work (especially straight out college).

Why should you do this, when you've just spent four years training and working for your degree? Because this is a career of unknowns. You don't know when you'll get into grad school, so it's valuable to have a network of theatre professionals around you so that you can continue to grow as an artist. You don't know where that next job is going to come from. Maybe the producer who admires your work ethic, maybe the kid sweeping the stage with you who thinks your attitude is to be around. Particularly, if your end goal is an artistic directorship, you can benefit from not only observing different personal styles and aesthetics, but from gaining a deeper appreciation of the staggering number of jobs all around that make a show possible.



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